Read Editorial with D2G ep – XXXIII

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EPISODE – XXXIII
TOPIC:
 The Importance of Being Honest
BLOG: The Hindu
WRITER: Baradwaj Rangan
GENRE: Editorial

editorial

READ BEFORE YOU PROCEED:
D2G wears no responsibility of the views published here by the respective Author. This Editorial is used here for Study Purpose. Students are advised to learn the word-meaning, The Art of Writing Skills and understand the crux of this Editorial.

MEANINGS are given in BOLD and ITALIC

Before Aamir Khan, there was Kamal Haasan. Frustrated by forces that were preventing the release of his mega-budget production Vishwarooopam in Tamil Nadu, the actor said he was contemplating (considering) leaving the State, the country even, and settling down someplace more secular. The announcement was picked up by some sections of the media — not all, understandably. After all, this was but a Tamil actor, a Tamil movie. When even the devastating floods in Tamil Nadu have received but a drizzle of national coverage, how can the release of a film that will be seen mostly by south Indians be of national importance? This isn’t cynicism (not idealism). This is the truth. Because when Khan made a similar statement — about insecurity, about fear, about his wife wondering if they should leave the country and settle elsewhere — the entire nation, media channels everywhere, reacted as if the actor had ripped up the tricolour and used it as confetti (Confetti is small pieces of coloured paper that people throw over the bride and bridegroom at a wedding.) in a song sequence in one of his films.

Not much Opportunity for Outrage

But this isn’t about how one artist’s anguish is deemed more important than another’s. This is about something much less exciting. This is about garden-variety freedom of expression — for if we examine the context, there isn’t really much opportunity for outrage. One, these statements came during a freewheeling (If you refer to someone’s freewheeling lifestyle or attitudes, you mean that they behave in a casual, relaxed way without feeling restricted by rules or accepted ways of doing things.) discussion at an awards ceremony. It wasn’t a speech. It wasn’t an address. It wasn’t inflammatory rhetoric (Rhetoric is the skill or art of using language effectively). Two, Khan is not a politician. He is not a Harvard-educated intellectual. He is not a political op-ed columnist. He is an artist, a concerned citizen, a Muslim married to a Hindu, a father, a human being — and some combination of all this came out in what he said. Three, he said other things as well. For instance, when political columnist Tavleen Singh asked a question about the Paris attacks and Islam, he replied, “A person who is holding a Koran and killing people, he may feel [he] is doing an Islamic act, but as a Muslim I don’t feel he is doing an Islamic act… He is a terrorist and we should recognise him as a terrorist. My problem is not just with the ISIS, but it is with that kind of thinking… This extreme thinking is what I worry about.”

Don’t we all worry about extremism, especially in these times, when every day deposits before us new horrors? There is certainly more fear today in the common man than there was even a decade ago. Not all of this is connected to (or can be blamed on) the government, of course, but given that we hear the voices of incensed (If you say that something incenses you, you mean that it makes you extremely angry.) fringe elements (which, some claim, are not really “fringe” any more but mainstream) more than the Prime Minister’s, what is the average Indian supposed to think? Of course, the Prime Minister may be pursuing his development agenda — that may well be his first priority. But that’s also, to the average Indian, a fairly abstract idea. When we hear about increased GDP, we register something vaguely, but news of the Dadri lynching or of writers being shot dead turns us stone cold. Because this is concrete. This could happen to us. And we need someone at the top, a parental figure, to assure us that this was wrong, that this will not happen to us.

U.S. President Barack Obama keeps assuring the American people. Expert followers of politics and foreign issues and economic development may have complaints about Mr. Obama’s tenure, but the average American, when faced with an incomprehensible tragedy, knows that his President will reach out and talk to him. The rest of the stuff is abstract, playing out in the corridors of power. This is what is concrete. This is what affects people at the ground level. This is what is important. And when the average Indian does not get this from his elected representatives, he turns confused, insecure, and angry. He begins to wonder which the bigger instance of intolerance is: the Dadri lynching or the half-hearted acknowledgements by the powers that be. He begins to speak out. This isn’t an attack on the government. This isn’t being unpatriotic. This is simply people giving vent to something they’re feeling very strongly about.

Of course, a celebrity like Khan is not exactly an “average Indian”, and it’s only to be expected that the media (and social media) picks up and picks apart whatever he says, despite the fact that it may be the exact thing you or I might say in an unguarded moment. But in a mature society, such a statement would give rise to debate. Some people will agree. Some people will disagree. Some people will term you heroic. Others will call you moronic (mindless). There can be no resolution to these things, but at least we will have, on the table, various points of view. What use is democracy if this doesn’t happen? And if, instead, the Twitterati just take offence and begin lashing out, how does it help, except perhaps to give media channels something sensationally juicy to milk? Some people have pointed to the blockbuster success of the Khan starrer PK as a symbol of Indian tolerance. Look, we’re a Hindu-majority nation and we’re watching a movie in which a Muslim actor satirises our religion. But PK is make-believe. PK is entertainment. PK is a sugar-coated (If you describe something such as a story as sugar-coated, you disapprove of it because it appears to be pleasant or attractive but in fact describes something very unpleasant.) pill, and we could choose to suck on the sugar even if we spat out the pill. Would we have endorsed (If you endorse someone or something, you say publicly that you support or approve of them.)the same film to such an extent had it not made us laugh, had it been a dead-serious drama about Hindu godmen?

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